New Enhancements to Lumetri Color Tools.
Stereoscopic VR media preview is possible by switching into anaglyph mode (requires anaglyph 3D glasses). Premiere Pro export properly flags the file so VR-capable video players such as YouTube will automatically recognise it. VR video workflow support allows editors to move around virtually inside spherical media using new monitor controls or by click-dragging on the video for a complete preview of the VR video playback experience. Once the copy is complete, Premiere Pro switches to using the copied media-allowing the camera media to be freed up for use elsewhere. Users can now start editing footage immediately while it’s being imported in the background, right from the media card ingested into the computer. Switching between proxy/low-resolution and original/high-resolution files has never been easier or more fluid. With proxy creation, you can work with high-resolution media flexibly, across different devices (for example, on lightweight devices that are slower and have less storage). Great news also for RED Weapon and Raven shooters – Adobe Premiere Pro CC 2015.3 also supports as of now REDCODE Raw up to 8K from RED DSMC2 cameras like the Weapon, Scarlet-W (5K) and Raven (4.5K) alongside other 8K, HD or HFR formats.ĭue to the intensiveness of super high resolution files in 4K+ resolutions, using lower-resolution proxies can speed up editing, while maintaining the ability to switch back to the original high resolution media for final output. Premiere Pro now supports proxy media creation, allowing you to easily switch between original/high-resolution and proxy/low-resolution clips.
#Latest version of adobe premiere pro cc 2015 update
The full update for each app is beyond the scope of this article and as we’re mostly interested in video editing and colour correction here – we’ll take a look at what’s new in Premiere Pro CC and After Effects.Īdobe Premiere Pro CC 2015.3 June Update – New Features So, what’s new in Adobe Creative Cloud 2015.3 June 2016 update? Quite a lot actually. It’s a bit strange that instead of calling the updates Creative Cloud 2016, the company has chosen to continue with the 2015.x pattern in the title, but that’s hardly a complaint, it just makes things a bit confusing for someone uninitiated like me. Adobe just released the latest update (2015.3) for their Creative Cloud applications for photo, video and audio including popular NLE Adobe Premiere Pro CC and After Effects.
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